The New Yorker

March 24, 2026

Michael Ian Black Enters the Cartoon Caption Contest

The actor and comedian tries his hand at captioning New Yorker cartoons.

The New Yorker

March 24, 2026

Daily Cartoon: Tuesday, March 24th

A drawing that riffs on the latest news and happenings.

The New Yorker

March 24, 2026

A Former Prisoner of the Iranian Regime Watches Trump’s War

A journalist who was wrongfully detained for five hundred and forty-four days never got to say goodbye to Tehran. Now he’s fielding messages...

The New Yorker

March 24, 2026

CNN’s “Podcast Look” and the Slow Death of Cable News

The network’s experiment in style was embarrassing, but it may tell us more about the state of podcasting than it does about legacy media.

The New Yorker

March 24, 2026

The Crossword: Tuesday, March 24, 2026

U.S. Figure Skating Hall of Famer Lipinski: four letters.

The New Yorker

March 24, 2026

Play Shuffalo: Tuesday, March 24, 2026

Can you make a longer word with each new letter?

The New Yorker

March 24, 2026

The Text of E-mails from My Accountant vs. the Subtext

Hi, your dad’s friend Bill here. Neither your father, nor I, knowing very little about you, have any confidence that you can be expected to...

The New Yorker

March 23, 2026

Cuba’s Government Has Been Pushed to the Brink of Collapse

From the daily newsletter: after operations in Venezuela and Iran, Donald Trump has turned his attention to Cuba.

The New Yorker

March 23, 2026

Daily Cartoon: Monday, March 23rd

A drawing that riffs on the latest news and happenings.

The New Yorker

March 23, 2026

A Bingo Card for Spring in New York City

Do you have “UPS Guy in Shorts,” “Stoop Weirdo,” or “Park Teeming with Hinge Dates”?

The New Yorker

March 23, 2026

The “Baritenor” Michael Spyres Soars in the Met’s New “Tristan und Isolde”

At the Met, Michael Spyres uses his broad vocal range to stunning effect, but Lise Davidsen loses power when she leaves her brilliant upper...

The New Yorker

March 23, 2026

Steve Zahn’s Father-Daughter Dance

At a Broadway studio, the actor busts a move with his daughter, Audrey, who also happens to be his inspiration (and co-star) for his new fil...

The New Yorker

March 23, 2026

Under the Influence at the Whitney Biennial

How the artists in this year’s survey do or, more often, don’t acknowledge those who paved the way for them.

The New Yorker

March 23, 2026

Play Laugh Lines No. 64: Heaven, Part 2

Can you guess when these New Yorker cartoons were originally published?

The New Yorker

March 23, 2026

The Return of Staten Island’s Secession Movement

For more than a hundred years, the city’s most isolated borough has threatened to leave. After the election of Zohran Mamdani, some on the i...

The New Yorker

March 23, 2026

How Trump’s Iran War Could Torch the Global Economy

The war in Iran was supposed to be a “little excursion.” Instead, it has sent oil prices soaring and raised the risk of a worldwide recessi...

The New Yorker

March 23, 2026

Whose Line Is It Anyway?

Queuing up is the new normal, especially when it comes to the T.S.A. Fifty minutes, two hours, half a day—how much time is a flight (or a cr...

The New Yorker

March 23, 2026

Between Sting and the Deep Blue Sea

The Police front man’s 2014 musical, “The Last Ship,” was inspired by his gritty working-class childhood in England. Now a revamped producti...

The New Yorker

March 23, 2026

Schools to Root for After Your Bracket Fails

To keep March Madness interesting, why not go with your mom’s alma mater? Or the college with a celebrity’s kid?

The New Yorker

March 23, 2026

Engels in the Outfield

A radical history of the Mets insists that baseball can still be the people’s game.

The New Yorker

March 22, 2026

How Bad Is Plagiarism, Really?

From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously b...

The New Yorker

March 22, 2026

Play Shuffalo: Sunday, March 22, 2026

Can you make a longer word with each new letter?

The New Yorker

March 22, 2026

The Distant Promise of Iran’s Would-Be King

The U.S.-Israeli war on the Islamic Republic is Reza Pahlavi’s best chance to resume his family’s reign in nearly fifty years—will it pass h...

The New Yorker

March 22, 2026

LeBron James Is Making His Last Great Adjustment

After two decades of domination, he is ceding control, and becoming a different kind of star.

The New Yorker

March 22, 2026

The Vegetalian Is New York’s Finest Sandwich

The best Italian combo in the city contains no meat whatsoever.

The New Yorker

March 21, 2026

The First Casualty of Trump’s War in Iran Was the Truth

The cruellest irony is that of a President who addresses the Iranian people in the language of liberation and then threatens freedom of the...

The New Yorker

March 21, 2026

The Style Is the Substance in Sofia Coppola’s Marc Jacobs Documentary

In her new Marc Jacobs documentary, “Marc by Sofia,” Sofia Coppola prioritizes style over substance. “The documentary nonetheless feels quit...

The New Yorker

March 21, 2026

China’s Shifting Relationship to the Countryside

Catherine Hyland’s images show what happened after the giant migration to the cities.

The New Yorker

March 20, 2026

“Two Prosecutors,” “Palestine ’36,” and the Tribulations of Resistance in the Thirties

Two new historical dramas, “Two Prosecutors” and “Palestine ’36,” are built around courageous acts of opposition and unfold at a politicall...

The New Yorker

March 20, 2026

Why Israel Is Attacking Lebanon

Hezbollah, Iran, and Israel helped fuel a disastrous political crisis in Lebanon. Now the Netanyahu government is using it to justify a larg...

The New Yorker

March 20, 2026

Remembering Calvin Tomkins, a Master of the Profile

For nearly seventy years, he captured the lives of modern artists for The New Yorker.

The New Yorker

March 20, 2026

The Mini Crossword: Friday, March 20, 2026

First word in the “Sesame Street” theme song: five letters.