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The New Yorker
The New Yorker
November 22, 2024
“The Franchise” Gives Hollywood the “Veep” Treatment
Satirizing the superhero-blockbuster business, HBO’s new comedy finds mostly easy targets, but eventually something more.
The New Yorker
November 22, 2024
The Pain Creating a New Coalition for Trump
Despair permeates white, Black, and Latino working-class life. Democrats will have to find a new way to speak to it.
The New Yorker
November 22, 2024
Donald Trump’s Administration Hopefuls Descend on Mar-a-Lago
Since Election Day, the Florida club has played host to a rotating cast of characters from MAGA world, all vying for positions of power.
The New Yorker
November 22, 2024
Faustian Bargains in “Death Becomes Her” and “Burnout Paradise”
The audience gets what it paid for in both the musical adaptation of the 1992 film, with Megan Hilty and Jennifer Simard, and a new show abo...
The New Yorker
November 22, 2024
Turning a Blind Eye to War Crimes
A second Trump Administration could give impunity to American soldiers who commit atrocities.
The New Yorker
November 22, 2024
Dalí, Basquiat, Haring, and Hockney at Luna Luna
Also: Interpol’s “Antics” turns twenty, Kyle Abraham fills Drill Hall, new work by the photographer Jeff Wall, and more.
The New Yorker
November 22, 2024
The Electable Female Candidate: Part 2
She gets every cultural reference, from brat to Brat Pack, from simp to “The Simpsons,” from skibidi to yabba dabba doo.
The New Yorker
November 22, 2024
The Explosion of Matt Gaetz and Other Early Lessons in Trump 2.0
There are many more manic Thursdays to come.
The New Yorker
November 21, 2024
What Can We Learn from the Historical Fight for Birth Control?
From the daily newsletter: Margaret Talbot on the modern relevance of early contraception activism. Plus: reporting from Lebanon; Sarah Moss...
The New Yorker
November 21, 2024
The Mini Crossword: Thursday, November 21, 2024
Lipa who appeared in the film “Argylle”: three letters.
The New Yorker
November 21, 2024
The Art Dealer Who Wanted to Be Art
Asher Wertheimer was a Jewish tycoon who asked John Singer Sargent to paint him. The results are strange, slippery—and some of the artist’s...
The New Yorker
November 21, 2024
Can Shostakovich Ever Escape Stalin’s Shadow?
Endless debate over whether the ending of the composer’s Fifth Symphony represents a capitulation to Soviet demands or a secret dissent obsc...
The New Yorker
November 21, 2024
Frank Auerbach’s Raw Truths
“I find it all very difficult,” the late German-born British artist said, and few painters have done as much to show the struggle of creativ...
The New Yorker
November 21, 2024
Will Kids Online, In Fact, Be All Right?
A new documentary reveals social-media platforms’ iron grip on the lives of teen-agers, one that’s increasingly being linked to a slew of me...
The New Yorker
November 21, 2024
The Price Lebanon Is Paying for the Hezbollah-Israel War
The group’s supporters remain steadfast in the face of widespread displacement and thousands of deaths.
The New Yorker
November 21, 2024
A Novelist’s Unnerving Memoir of Disordered Eating
In “My Good Bright Wolf,” Sarah Moss recounts a dangerous romance with self-deprivation.
The New Yorker
November 21, 2024
Description of a Guy in a Fantasy Romance Novel
In his human form, Algor resembled a mix of George Clooney, Tom Cruise, and a Boeing 747. In his magical form, Algor resembled a demon rhino...
The New Yorker
November 21, 2024
What Is Donald Trump’s Cabinet Planning for America?
Matt Gaetz has “gone to Washington to burn it down,” says the staff writer Dexter Filkins. “And he’s been remarkably successful.”
The New Yorker
November 20, 2024
Is Your Data Safe from the Government?
From the daily newsletter: Ronan Farrow on new spyware tech. Plus: the Northeast is becoming fire country; what Trump means for Ukraine; and...
The New Yorker
November 20, 2024
“Wicked” and “Gladiator II” Offer Nostalgic, Half-Satisfying Showdowns
With a musical return to Oz and a bloody epic of ancient Rome, Hollywood studios double down on blockbuster spectacle.
The New Yorker
November 20, 2024
“Wicked” and “Gladiator II” Offer Nostalgic, Half-Satisfying Showdowns
With a musical return to Oz and a bloody epic of ancient Rome, Hollywood studios double down on blockbuster spectacle.
The New Yorker
November 20, 2024
Why Josh Brolin Loves James Joyce
On the occasion of his new memoir, the “Dune” actor reflects on some of his formative reading experiences.
The New Yorker
November 20, 2024
The Fantasy of Cozy Tech
From the “cozy gaming” trend to a new generation of A.I. companions, our devices are trying to swath us in a digital and physical cocoon.
The New Yorker
November 20, 2024
The Technology the Trump Administration Could Use to Hack Your Phone
Other Western democracies have been roiled by the use of spyware to target political opponents, activists, journalists, and other vulnerable...
The New Yorker
November 20, 2024
Daily Cartoon: Wednesday, November 20th
“I want to be in the moment, just not this moment.”
The New Yorker
November 20, 2024
The Northeast Is Becoming Fire Country
Maps of recent fires across the region resemble California in August, with hundreds of red dots.
The New Yorker
November 20, 2024
The Crossword: Wednesday, November 20, 2024
Cooking-competition show featuring Tom Colicchio as a judge: seven letters.
The New Yorker
November 20, 2024
The Complex Politics of Tribal Enrollment
How did the U.S. government become involved in “adjudicating Indianness”?
The New Yorker
November 19, 2024
“Nightbitch” and the National Mood
From the daily newsletter: getting to know the director Marielle Heller. Plus: a timely triennial of Latino art; Donald Trump’s U.F.C. victo...
The New Yorker
November 19, 2024
How Trump Could Change the Trajectory of the War in Ukraine
Any deal will likely be favorable to the Russians, though the clock on Putin’s ability to sustain a wartime economy may be running out.
The New Yorker
November 19, 2024
Daily Cartoon: Tuesday, November 19th
It’s on the tip of my tongue . . .
The New Yorker
November 19, 2024
Why Do We Talk This Way?
Why Do We Talk This Way?
The New Yorker
November 19, 2024
Donald Trump’s U.F.C. Victory Party
Dana White, the C.E.O. of the Ultimate Fighting Championship, helped Trump reach young male voters. Now White says he’s done with politics:...
The New Yorker
November 19, 2024
El Museo del Barrio Offers a Timely Triennial of Latino Art
The unique history of El Museo has allowed it to be at the vanguard of what is now more widely accepted as the purpose of museums.
The New Yorker
November 19, 2024
The Crossword: Tuesday, November 19, 2024
Flower in a Walt Whitman elegy for Abraham Lincoln: five letters.
The New Yorker
November 19, 2024
A Visit to Planet Koren
A new exhibition celebrates the work of the late cartoonist Edward Koren.
The New Yorker
November 19, 2024
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Every New Yorker post.
The New Yorker
November 18, 2024
The Secrets of California’s Death Team
From the daily newsletter: Jennifer Gonnerman reports. Plus: understanding Latino support for Trump; a casting call for lesbians over sixty;...
The New Yorker
November 18, 2024
Daily Cartoon: Monday, November 18th
The unspoken bond between human and dog.
The New Yorker
November 18, 2024
Letters from Our Readers
Readers respond to Nicholas Lemann’s article on Bidenomics, Kathryn Schulz’s essay on animal mortality, and Jazmine Hughes’s piece on Alpha...
The New Yorker
November 18, 2024
What’s the Difference Between a Rampaging Mob and a Righteous Protest?
From the French Revolution to January 6th, crowds have been heroized and vilified. Now they’re a field of study.
The New Yorker
November 18, 2024
Should a Country Speak a Single Language?
In India, one of the world’s most polyglot countries, the government wants more than a billion people to embrace Hindi. One scholar thinks t...
The New Yorker
November 18, 2024
“Before I Can Exist, I Have to Enter the Gift Shoppe”
“America, like hope’s sharp pencil, / winks brightly beyond a gantlet of elegant shill.”
The New Yorker
November 18, 2024
I.S.O.: Ten to Fifteen Lesbians Over Sixty. Nudity Optional
The artist Samantha Nye tries to drum up models for a shoot of a female-only “pleasure party” at the Belvedere Guest House, the all-male gay...
The New Yorker
November 18, 2024
Helping “Gypsy” ’s Strippers Take It All Off Anew
George C. Wolfe finds inspiration for his production—starring Audra McDonald as Broadway’s first Black Mama Rose—watching the pasties twirl...
The New Yorker
November 18, 2024
An Investigation Into How Prosecutors Picked Death-Penalty Juries
One of the notes on potential jurors read, “I liked him better than any other Jew But No Way,” then added, “Must Kick, too Risky.”
The New Yorker
November 18, 2024
This Election Just Proves What I Already Believed
The list of issues I was right about goes on and on. Guns? Kamala Harris owns too many, but also not enough.
The New Yorker
November 18, 2024
Understanding Latino Support for Donald Trump
Democrats have often described Latinos as decisive when they support liberal candidates and inconsequential when they don’t.
The New Yorker
November 18, 2024
Why Is Elon Musk Really Embracing Donald Trump?
After spending more than a hundred million dollars to help Trump get elected, Musk stands to earn a lot more.
The New Yorker
November 18, 2024
With Help from Martin Scorsese, a Little Italy Organ Gets a Sprucing Up
Since the Civil War, the Erben organ has imbued St. Patrick’s Basilica with “a tinge of sadness.”- 1
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